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cool mechanical calculator
Lockheed Martin P791 Airship
H.P. Lovecraft 1933 News Reel
Paul Wegener - the Golem (film clip)
A Trip to the Moon (full version)
Women in the Moon - Fritz Lang
Gentleman's Duel
Abney Park - the Wrong Side
Bella Morte - Logic
Vernian Process - Behold The Machine
Vernian Process - The Curse of Whitechapel
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Submiersion Films - The Plague: Scene 1
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Old Testament

Tales from horror and sci-fi authors of the Victorian and Edwardian eras / Belle Epoque.
Though a lot of work has gone into formatting them for the web and for this site, these stories are in the public domain, and therefore only their publishing dates are listed.

The Mortal Immortal

Saturday, February 2nd, 2008
the-mortal-immortal

(1833) Mary Shelley

July 16, 1833. — This is a memorable anniversary for me; on it I complete my three hundred and twenty-third year!

The Wandering Jew? certainly not. More than eighteen centuries have passed over his head. In comparison with him, I am a very young Immortal.

Am I, then, immortal? This is a question which I have asked myself, by day and night, for now three hundred and three years, and yet cannot answer it. I detected a grey hair amidst my brown locks this very day that surely signifies decay. Yet it may have remained concealed there for three hundred years for some persons have become entirely white-headed before twenty years of age.

I will tell my story, and my reader shall judge for me. I will tell my story, and so contrive to pass some few hours of a long eternity, become so wearisome to me. For ever! Can it be? to live for ever! I have heard of enchantments, in which the victims were plunged into a deep sleep, to wake, after a hundred years, as fresh as ever: I have heard of the Seven Sleepers thus to be immortal would not be so burthensome: but, oh! the weight of never-ending time the tedious passage of the still-succeeding hours! How happy was the fabled Nourjahad! But to my task. (more…)

The Dream

Saturday, February 2nd, 2008
the-dream

(1832) Mary Shelley
THE time of the occurrence of the little legend about to be narrated, was that of the commencement of the reign of Henry IV of France, whose accession and conversion, while they brought peace to the kingdom whose throne he ascended, were inadequate to heal the deep wounds mutually inflicted by the inimical parties. Private feuds, and the memory of mortal injuries, existed between those now apparently united; and often did the hands that had clasped each p other in seeming friendly greeting, involuntarily, as the grasp was released, clasp the dagger’s hilt, as fitter spokesman to their passions than the words of courtesy that had just fallen from their lips. Many of the fiercer Catholics retreated to their distant provinces; and while they concealed in solitude their rankling discontent, not less keenly did they long for the day when they might show it openly. In a large and fortified château built on a rugged steep overlooking the Loire, not far from the town of Nantes, dwelt the last of her race, and the heiress of their fortunes, the young and beautiful Countess de Villeneuve. She had spent the preceding year in complete solitude in her secluded abode; and the mourning she wore for a father and two brothers, the victims of the civil wars, was a graceful and good reason why she did not appear at court, and mingle with its festivities. But the orphan countess inherited a high name and broad lands; and it was soon signified to her that the king, her guardian, desired that she should bestow them, together with her hand, upon some noble whose birth and accomplishments should entitle him to the gift. Constance, in reply, expressed her intention of taking vows, and retiring to a convent. The king earnestly and resolutely forbade this act, believing such an idea to be the result of sensibility overwrought by sorrow, and relying on the hope that, after a time, the genial spirit of youth would break through this cloud.

A year passed, and still the countess persisted; and at last Henry, unwilling, to exercise compulsion, —desirous, too, of judging for himself of the motives that led one so beautiful, young, and gifted with fortune’s favours, to desire to bury herself in a cloister, —announced his intention, now that the period of her mourning was expired, of visiting her château; and if he brought not with him, the monarch said, inducement sufficient to change her design, he would yield his consent to its fulfilment. (more…)

THE RED ROOM

Friday, February 1st, 2008
the-red-room

(1894) H. G. Wells

“It’s your own choosing,” said the man with the withered arm once more.

I heard the faint sound of a stick and a shambling step on the flags in the passage outside. The door creaked on its hinges as a second old man entered, more bent, more wrinkled, more aged even than the first. He supported himself by the help of a crutch, his eyes were covered by a shade, and his lower lip, half averted, hung pale and pink from his decaying yellow teeth. He made straight for an armchair on the opposite side of the table, sat down clumsily, and began to cough. The man with the withered hand gave the newcomer a short glance of positive dislike; the old woman took no notice of his arrival, but remained with her eyes fixed steadily on the fire.

“I said—it’s your own choosing,” said the man with the withered hand, when the coughing had ceased for a while.

“It’s my own choosing,” I answered.

The man with the shade became aware of my presence for the first time, and threw his head back for a moment, and sidewise, to see me. I caught a momentary glimpse of his eyes, small and bright and inflamed. Then he began to cough and splutter again. (more…)

the Murders in the Rue Morgue

Friday, February 1st, 2008
the-murders-in-the-rue-morgue

(1841) Edgar Allan Poe

Begin

The mental features discoursed of as the analytical, are, in themselves, but little susceptible of analysis. We appreciate them only in their effects. We know of them, among other things, that they are always to their possessor, when inordinately possessed, a source of the liveliest enjoyment. As the strong man exults in his physical ability, delighting in such exercises as call his muscles into action, so glories the analyst in that moral activity which disentangles. He derives pleasure from even the most trivial occupations bringing his talent into play. He is fond of enigmas, of conundrums, of hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears to the ordinary apprehension præternatural. His results, brought about by the very soul and essence of method, have, in truth, the whole air of intuition. (more…)

The Parasite

Friday, February 1st, 2008
the-parasite

(1895) Arthur Conan Doyle

Chapter One

March 24. The spring is fairly with us now. Outside my laboratory window the great chestnut-tree is all covered with the big, glutinous, gummy buds, some of which have already begun to break into little green shuttlecocks. As you walk down the lanes you are conscious of the rich, silent forces of nature working all around you. The wet earth smells fruitful and luscious. Green shoots are peeping out everywhere. The twigs are stiff with their sap; and the moist, heavy English air is laden with a faintly resinous perfume. Buds in the hedges, lambs beneath them– everywhere the work of reproduction going forward!

I can see it without, and I can feel it within. We also have our spring when the little arterioles dilate, the lymph flows in a brisker stream, the glands work harder, winnowing and straining. Every year nature readjusts the whole machine. I can feel the ferment in my blood at this very moment, and as the cool sunshine pours through my window I could dance about in it like a gnat. So I should, only that Charles Sadler would rush upstairs to know what was the matter. Besides, I must remember that I am Professor Gilroy. An old professor may afford to be natural, but when fortune has given one of the first chairs in the university to a man of four-and-thirty he must try and act the part consistently. (more…)

The Call of Cthulhu

Friday, February 1st, 2008
the-call-of-cthulhu

(1926) H. P. Lovecraft

Of such great powers or beings there may be conceivably a survival… a survival of a hugely remote period when… consciousness was manifested, perhaps, in shapes and forms long since withdrawn before the tide of advancing humanity… forms of which poetry and legend alone have caught a flying memory and called them gods, monsters, mythical beings of all sorts and kinds…

- Algernon Blackwood

Chapter One – The Horror In Clay

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.

Theosophists have guessed at the awesome grandeur of the cosmic cycle wherein our world and human race form transient incidents. They have hinted at strange survivals in terms which would freeze the blood if not masked by a bland optimism. But it is not from them that there came the single glimpse of forbidden eons which chills me when I think of it and maddens me when I dream of it. That glimpse, like all dread glimpses of truth, flashed out from an accidental piecing together of separated things – in this case an old newspaper item and the notes of a dead professor. I hope that no one else will accomplish this piecing out; certainly, if I live, I shall never knowingly supply a link in so hideous a chain. I think that the professor, too intented to keep silent regarding the part he knew, and that he would have destroyed his notes had not sudden death seized him. (more…)

THE WILLOWS

Friday, February 1st, 2008
the-willows

(1907) Algernon Blackwood

Chapter One

After leaving Vienna, and long before you come to Budapest, the Danube enters a region of singular loneliness and desolation, where its waters spread away on all sides regardless of a main channel, and the country becomes a swamp for miles upon miles, covered by a vast sea of low willow-bushes. On the big maps this deserted area is painted in a fluffy blue, growing fainter in color as it leaves the banks, and across it may be seen in large straggling letters the word Sumpfe, meaning marshes.

In high flood this great acreage of sand, shingle-beds, and willow-grown islands is almost topped by the water, but in normal seasons the bushes bend and rustle in the free winds, showing their silver leaves to the sunshine in an ever-moving plain of bewildering beauty. These willows never attain to the dignity of trees; they have no rigid trunks; they remain humble bushes, with rounded tops and soft outline, swaying on slender stems that answer to the least pressure of the wind; supple as grasses, and so continually shifting that they somehow give the impression that the entire plain is moving and alive. For the wind sends waves rising and falling over the whole surface, waves of leaves instead of waves of water, green swells like the sea, too, until the branches turn and lift, and then silvery white as their underside turns to the sun.

Happy to slip beyond the control of the stern banks, the Danube here wanders about at will among the intricate network of channels intersecting the islands everywhere with broad avenues down which the waters pour with a shouting sound; making whirlpools, eddies, and foaming rapids; tearing at the sandy banks; carrying away masses of shore and willow-clumps; and forming new islands innumerably which shift daily in size and shape and possess at best an impermanent life, since the flood-time obliterates their very existence. (more…)

The Dunwich Horror

Friday, February 1st, 2008
the-dunwich-horror

(1928) H. P. Lovecraft as published April 1929 in “Weird Tales”

The Dunwich Horror

Gorgons and Hydras, and Chimaeras – dire stories of Celaeno and the Harpies – may reproduce themselves in the brain of superstition – but they were there before. They are transcripts, types – the archtypes are in us, and eternal. How else should the recital of that which we know in a waking sense to be false come to affect us all? Is it that we naturally conceive terror from such objects, considered in their capacity of being able to inflict upon us bodily injury? O, least of all! These terrors are of older standing. They date beyond body – or without the body, they would have been the same… That the kind of fear here treated is purely spiritual – that it is strong in proportion as it is objectless on earth, that it predominates in the period of our sinless infancy – are difficulties the solution of which might afford some probable insight into our ante-mundane condition, and a peep at least into the shadowland of pre-existence.

- Charles Lamb: Witches and Other Night-Fears (more…)

site design and content copyright 2008 Myke Amend and the Miskatonic Archives except for content provided from outside sources. That content is copyright its original owners. If you would like to contribute steampunk, cyberpunk, or horror related content, please use our contact form for initial emailing. site design and content copyright 2008 Myke Amend and the Miskatonic Archives except for content provided from outside sources. That content is copyright its original owners. If you would like to contribute steampunk, cyberpunk, or horr related content, please use our contact form for initial emailing. site design and content copyright 2008 Myke Amend and the Miskatonic Archives except for content provided from outside sources. That content is copyright its original owners. If you would like to contribute steampunk, cyberpunk, or horr related content, please use our contact form for initial emailing. site design and content copyright 2008 Myke Amend and the Miskatonic Archives except for content provided from outside sources. That content is copyright its original owners. If you would like to contribute steampunk, cyberpunk, or horr related content, please use our contact form for initial emailing. site design and content copyright 2008 Myke Amend and the Miskatonic Archives except for content provided from outside sources. That content is copyright its original owners. If you would like to contribute steampunk, cyberpunk, or horr related content, please use our contact form for initial emailing.
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