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Miskatonic Archive - applied ancient metaphysics indices
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Strangeness from other domains and universes outside the worlds of the Miskatonic Archive.

Amazing!

Riiide the Tiger (mechanical tiger)
Women in the Moon - Fritz Lang
Lockheed Martin P791 Airship
cool mechanical calculator
A Trip to the Moon (full version)
Paul Wegener - the Golem (film clip)
Gentleman's Duel
Rustboy short (film that was never made)

ALIVE!

Abney Park - the Wrong Side
Vernian Process - Noir
Bella Morte - Logic
Kate Bush - Cloudbusting (inspired by Book of Dreams)
Rasputina - Barracuda
Vernian Process - The Last Express
Rasputina - The Old Headboard
Vernian Process - Behold The Machine

the TERROR!

spooky clip from the animated adventures of Mark Twain
very creepy student CG film
Ectoplasm Manifestation
Submiersion Films - The Plague: Scene 1

Amusing!

The Scary Side of Mary Poppins
Steampunk Internet
Cthulu Building Blocks
Creaking Door - Cremation and You
syndicate the Miskatonic Archives Gothic, Steampunk, Cyberpunk, horror punk, deathrock, horror and lovecraftian portal.
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H.P. Lovecraft

Commonly regarded as one of the most influential horror writers of the 20th Century, Howard Phillips Lovecraft (August 20, 1890 – March 15, 1937), of Providence, Rhode Island, had limited readership during his life. Over time, his works have developed a sizable cult following, and he is often cited as the most influential Horror author of the 20th Century.

The Music OF Erich Zann

Tuesday, February 5th, 2008
the-music-of-erich-zann

(1921) H. P. Lovecraft

I have examined maps of the city with the greatest care, yet have never again found the Rue d’Auseil. These maps have not been modern maps alone, for I know that names change. I have, on the contrary, delved deeply into all the antiquities of the place, and have personally explored every region, of whatever name, which could possibly answer to the street I knew as the Rue d’Auseil. But despite all I have done, it remains an humiliating fact that I cannot find the house, the street, or even the locality, where, during the last months of my impoverished life as a student of metaphysics at the university, I heard the music of Erich Zann.

That my memory is broken, I do not wonder; for my health, physical and mental, was gravely disturbed throughout the period of my residence in the Rue d’Auseil, and I recall that I took none of my few acquaintances there. But that I cannot find the place again is both singular and perplexing; for it was within a half-hour’s walk of the university and was distinguished by peculiarities which could hardly be forgotten by any one who had been there. I have never met a person who has seen the Rue d’Auseil.

The Rue d’Auseil lay across a dark river bordered by precipitous brick blear-windowed warehouses and spanned by a ponderous bridge of dark stone. It was always shadowy along that river, as if the smoke of neighboring factories shut out the sun perpetually. The river was also odorous with evil stenches which I have never smelled elsewhere, and which may some day help me to find it, since I should recognize them at once. Beyond the bridge were narrow cobbled streets with rails; and then came the ascent, at first gradual, but incredibly steep as the Rue d’Auseil was reached. (more…)

The Cats of Ulthar

Saturday, February 2nd, 2008
the-cats-of-ulthar

(1920 ) H. P. Lovecraft

It is said that in Ulthar, which lies beyond the river Skai, no man may kill a cat; and this I can verily believe as I gaze upon him who sitteth purring before the fire. For the cat is cryptic, and close to strange things which men cannot see. He is the soul of antique Aegyptus, and bearer of tales from forgotten cities in Meroe and Ophir. He is the kin of the jungle’s lords, and heir to the secrets of hoary and sinister Africa. The Sphinx is his cousin, and he speaks her language; but he is more ancient than the Sphinx, and remembers that which she hath forgotten.

In Ulthar, before ever the burgesses forbade the killing of cats, there dwelt an old cotter and his wife who delighted to trap and slay the cats of their neighbors. Why they did this I know not; save that many hate the voice of the cat in the night, and take it ill that cats should run stealthily about yards and gardens at twilight. But whatever the reason, this old man and woman took pleasure in trapping and slaying every cat which came near to their hovel; and from some of the sounds heard after dark, many villagers fancied that the manner of slaying was exceedingly peculiar. But the villagers did not discuss such things with the old man and his wife; because of the habitual expression on the withered faces of the two, and because their cottage was so small and so darkly hidden under spreading oaks at the back of a neglected yard. In truth, much as the owners of cats hated these odd folk, they feared them more; and instead of berating them as brutal assassins, merely took care that no cherished pet or mouser should stray toward the remote hovel under the dark trees. When through some unavoidable oversight a cat was missed, and sounds heard after dark, the loser would lament impotently; or console himself by thanking Fate that it was not one of his children who had thus vanished. For the people of Ulthar were simple, and knew not whence it is all cats first came. (more…)

Pickman’s Model

Saturday, February 2nd, 2008
pickmans-model

(1926) H. P. Lovecraft as Published October 1927 in “Weird Tales”

You needn’t think I’m crazy, Eliot- plenty of others have queerer prejudices than this. Why don’t you laugh at Oliver’s grandfather, who won’t ride in a motor? If I don’t like that damned subway, it’s my own business; and we got here more quickly anyhow in the taxi. We’d have had to walk up the hill from Park Street if we’d taken the car.

I know I’m more nervous than I was when you saw me last year, but you don’t need to hold a clinic over it. There’s plenty of reason, God knows, and I fancy I’m lucky to be sane at all. Why the third degree? You didn’t use to be so inquisitive.

Well, if you must hear it, I don’t know why you shouldn’t. Maybe you ought to, anyhow, for you kept writing me like a grieved parent when you heard I’d begun to cut the Art Club and keep away from Pickman. Now that he’s disappeared I go round to the club once in a while, but my nerves aren’t what they were.

No, I don’t know what’s become of Pickman, and I don’t like to guess. You might have surmised I had some inside information when I dropped him- and that’s why I don’t want to think where he’s gone. Let the police find what they can- it won’t be much, judging from the fact that they don’t know yet of the old North End place he hired under the name of Peters.

I’m not sure that I could find it again myself- not that I’d ever try, even in broad daylight!

Yes, I do know, or am afraid I know, why he maintained it. I’m coming to that. And I think you’ll understand before I’m through why I don’t tell the police. They would ask me to guide them, but I couldn’t go back there even if I knew the way. There was something there- and now I can’t use the subway or (and you may as well have your laugh at this, too) go down into cellars any more. (more…)

The Call of Cthulhu

Friday, February 1st, 2008
the-call-of-cthulhu

(1926) H. P. Lovecraft

Of such great powers or beings there may be conceivably a survival… a survival of a hugely remote period when… consciousness was manifested, perhaps, in shapes and forms long since withdrawn before the tide of advancing humanity… forms of which poetry and legend alone have caught a flying memory and called them gods, monsters, mythical beings of all sorts and kinds…

- Algernon Blackwood

Chapter One - The Horror In Clay

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.

Theosophists have guessed at the awesome grandeur of the cosmic cycle wherein our world and human race form transient incidents. They have hinted at strange survivals in terms which would freeze the blood if not masked by a bland optimism. But it is not from them that there came the single glimpse of forbidden eons which chills me when I think of it and maddens me when I dream of it. That glimpse, like all dread glimpses of truth, flashed out from an accidental piecing together of separated things - in this case an old newspaper item and the notes of a dead professor. I hope that no one else will accomplish this piecing out; certainly, if I live, I shall never knowingly supply a link in so hideous a chain. I think that the professor, too intented to keep silent regarding the part he knew, and that he would have destroyed his notes had not sudden death seized him. (more…)

The Dunwich Horror

Friday, February 1st, 2008
the-dunwich-horror

(1928) H. P. Lovecraft as published April 1929 in “Weird Tales”

The Dunwich Horror

Gorgons and Hydras, and Chimaeras - dire stories of Celaeno and the Harpies - may reproduce themselves in the brain of superstition - but they were there before. They are transcripts, types - the archtypes are in us, and eternal. How else should the recital of that which we know in a waking sense to be false come to affect us all? Is it that we naturally conceive terror from such objects, considered in their capacity of being able to inflict upon us bodily injury? O, least of all! These terrors are of older standing. They date beyond body - or without the body, they would have been the same… That the kind of fear here treated is purely spiritual - that it is strong in proportion as it is objectless on earth, that it predominates in the period of our sinless infancy - are difficulties the solution of which might afford some probable insight into our ante-mundane condition, and a peep at least into the shadowland of pre-existence.

- Charles Lamb: Witches and Other Night-Fears (more…)

The Moon-Bog

Friday, February 1st, 2008
the-moon-bog

(1921) H. P. Lovecraft Published June 1926 in Weird Tales

Somewhere, to what remote and fearsome region I know not, Denys Barry has gone. I was with him the last night he lived among men, and heard his screams when the thing came to him; but all the peasants and police in County Meath could never find him, or the others, though they searched long and far. And now I shudder when I hear the frogs piping in swamps, or see the moon in lonely places.

I had known Denys Barry well in America, where he had grown rich, and had congratulated him when he bought back the old castle by the bog at sleepy Kilderry. It was from Kilderry that his father had come, and it was there that he wished to enjoy his wealth among ancestral scenes. Men of his blood had once ruled over Kilderry and built and dwelt in the castle, but those days were very remote, so that for generations the castle had been empty and decaying. After he went to Ireland, Barry wrote me often, and told me how under his care the gray castle was rising tower by tower to its ancient splendor, how the ivy was climbing slowly over the restored walls as it had climbed so many centuries ago, and how the peasants blessed him for bringing back the old days with his gold from over the sea. But in time there came troubles, and the peasants ceased to bless him, and fled away instead as from a doom. And then he sent a letter and asked me to visit him, for he was lonely in the castle with no one to speak to save the new servants and laborers he had brought from the North.

The bog was the cause of all these troubles, as Barry told me the night I came to the castle. I had reached Kilderry in the summer sunset, as the gold of the sky lighted the green of the hills and groves and the blue of the bog, where on a far islet a strange olden ruin glistened spectrally. That sunset was very beautiful, but the peasants at Ballylough had warned me against it and said that Kilderry had become accursed, so that I almost shuddered to see the high turrets of the castle gilded with fire. Barry’s motor had met me at the Ballylough station, for Kilderry is off the railway. The villagers had shunned the car and the driver from the North, but had whispered to me with pale faces when they saw I was going to Kilderry. And that night, after our reunion, Barry told me why. (more…)

site design and content copyright 2008 Myke Amend and the Miskatonic Archives except for content provided from outside sources. That content is copyright its original owners. If you would like to contribute steampunk, cyberpunk, or horror related content, please use our contact form for initial emailing. site design and content copyright 2008 Myke Amend and the Miskatonic Archives except for content provided from outside sources. That content is copyright its original owners. If you would like to contribute steampunk, cyberpunk, or horr related content, please use our contact form for initial emailing. site design and content copyright 2008 Myke Amend and the Miskatonic Archives except for content provided from outside sources. That content is copyright its original owners. If you would like to contribute steampunk, cyberpunk, or horr related content, please use our contact form for initial emailing. site design and content copyright 2008 Myke Amend and the Miskatonic Archives except for content provided from outside sources. That content is copyright its original owners. If you would like to contribute steampunk, cyberpunk, or horr related content, please use our contact form for initial emailing. site design and content copyright 2008 Myke Amend and the Miskatonic Archives except for content provided from outside sources. That content is copyright its original owners. If you would like to contribute steampunk, cyberpunk, or horr related content, please use our contact form for initial emailing.
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