… Of these buildings, we managed only to explore the larger chambers, and even then, only those that served as entries. There seemed to be no rhyme or reason to the shapes and sizes of the doors in between rooms and tiers, as though access between levels was restricted according to the size and shape of those who once lived here.

James, however, is resolute in his notion that our ancient hosts have neither a set shape or size, citing the absence of ladders or stairs between the floors of these strange towers.

Of course this is nonsense. The large amount of human skeletons we have found here, indicate that these strange and seemingly pointless chambers must have been purely decorative, or of some significance to whatever primitive religions or superstitions they practiced.

We’ve counted, documented, and graded what seem to be thousands of years worth of human remains now. For all the varying ages of the bones, and for all the time this settlement was here, it is strange to find the builders of this mysterious city had but twenty or less members at any given time… leading all the way up to only ten or less years ago.

… Is that an octopus? …here?

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There are many, many new items here now, some even that he had forgotten to put in his regular store, some new exclusives to us.

There will also be many additions in the coming days by Bethalynne Bajema

Myke will also be putting up many many more originals here in the Archive over the next day or two as well, for those who like to collect original pieces – aside from what is already here, there will be a number of additional engravings of all sizes and themes, as well as some small scuptures and perhaps even some wood and brass works.

So, please do take a look, everything is one sale right now. I don’t think there is a thing in the store that has not been at least somewhat reduced. This week will be the very best time to acquire some original art, and a very good time to purchase prints and other merchandise as well.

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The Resonator had to be shut down prematurely, else we might not have had enough crew to make it comfortably back to port. Over forty Russian tribesmen bravely gave their lives to science this day – a terrible tragedy as they will surely be expensive to replace.

Also lost was an entire crate of ether, carelessly dropped from the edge of a berg in the midst of today’s activities – a tragedy on so many levels.

Nevertheless, we saw many wondrous and splendid things this day: creatures and landscapes from the aether danced and swam about us through the air, and we saw the laws of our world temporarily suspended by those of the aether world.

It leaves me to wonder: How closely does the placement of their world correspond with ours? Are these same creatures to be found elsewhere on our planet, or would we perhaps find other inhabitants should the machine be tested in new locations?

What sorts of variants or unique beasts might we see in other locations such as Beijing, Hong Kong, Indonesia, London or perhaps even New York City?

Needless to say, I am beyond eager to see!”

- Professor Aden M. Kemy, Miskatonic Archivist

This giclee, commemorating the event is available while supplies last, in three limited editions of 50: A giclee on Canvas, an archival pigment ink print on heavy metallic stock, and a fine-art rag paper print. All of which 24 inches by 24 inches – the size of the original painting by Myke Amend.

First available, is this limited edition giclee on canvas, printed in archival pigment inks on 200-year archival canvas, coated in a UV-protective and scratch-resistant coating, stretched and mounted for framing.

It comes with a watermarked hahnemuhle certificate of authenticity printed on fine art rag paper, with a matching and serial-numbered hologram on both the back of the giclee print and the certificate. All giclees are hand-signed and numbered in paint (see the signature on the image) and also signed, dated, and numbered in archival ink on the back of the mounted print.

It can be found here: In the MykeAmend.Com Store

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The Vineyard depicts a strange sort of harvest, or perhaps a strange means of conception, making for a very Lovecraftian strange-fiction themed image, brilliantly, vividly colored, yet oh so dark.

Printed in 200 years archival pigment ink, heavy metallic stock in order to best bring out the rich colors and contrast of this vibrant piece.

A UV-protective lustre finish also helps protect the print against moisture and scratches.

Print size (edge to edge) is 11 x 14 inches, and can be purchased at mykeamend.com, or at Beth and Myke’s Joint Etsy Account: Ettadiem

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The details are tiny, with a lot of single-hair brush work done.

There are polar bears the size of dimes, swirls and twirls the size of pin-heads, needle-thin ropes and lines, and a ton of details and hidden images hidden within hidden images – made so that its owner can find many, many new things throughout the years. Icebergs and crashed pods create goggled figures, grim visages made of waves and of ice – this piece is fanciful and fantastical with strong and hidden undercurrents of dark and brooding.

20×10 Metallic prints, and 12 from each of the giclees on canvas (presale only), giclees on Rag Paper, and Large Metallic Prints are available in the store. Though all limited edition prints are hand-signed, and hand-embellish my signature on all canvas giclees, only #s I, II and 1-10 of these limited editions will be hand-embellished.

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“We shall see that at which dogs howl in the dark, and that at which cats prick up their ears after midnight. We shall see these things, and other things which no breathing creature has yet seen. We shall overleap time, space, and dimensions, and without bodily motion peer to the bottom of creation!”

Slow or dormant pineal gland? Unable to see Ultraviolet? Ever wonder what is out there in the ether swimming about your head, crawling on your dinner plate?

The Resonator is guaranteed to solve these and other problems!

… Unfortunately, due to a recent accident, the actual resonator itself is currently unavailable.

Quality metallic luster coated prints commemorating its first use, however, are available. These 5×7 prints have an archival rating of 200+ years, and are printed the same size as the original engraving by Myke Amend, on heavy metallic stock, in quality archival pigment inks, with a UV-resistant and scratch resistant coating!

Order yours now!… wait! Stand still for just a moment,I urge you! Okay, it has passed on to the other room. Okay, Order yours now, before it comes back!

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The original is painted on a 48 x 24 inch birch panel in acrylics.

These are not mere photographic prints, nor are they at-home inkjet printings.

This print is finely reproduced on 11×14-inch heavyweght 200-year archival metallic paper, with epson ultrachrome k3 archival inks, and coated in a UV protective luster finish.

To finish it off, each of this limited edition of only 75 is signed and hand-embellished by Myke Amend in silver archival ink.

This print will be available for a very limited time, and will only be available through the Myke Amend store, The Miskatonic Archive Store, and Etta Diem.

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